Hindustani Songs Logo
DICTIONARY
SONGS
SCRIPT
LATIN
HINDI
NASTALIQ
NASKH
LANGUAGE
ENG
SPA
Menu
Hindustani Songs Logo
Hindustani Songs Logo
DICTIONARY
SONGS

کوئی اُمِّید بَر نَہِیں آتی

koii ummiid bar nahiiN aatii
koii ummiid bar nahiiN aatii
Touch on each word to display its meaning
کوئی   اُمِّید   بَر   نَہِیں   آتی
No Hope Comes to Fruition
کوئی   اُمِّید   بَر   نَہِیں   آتی
کوئی   صورت   نظر   نَہِیں   آتی
No hope comes to fruition
no sign comes in sight
مَوت   کا   ایک   دِن   مُعَیَّن   ہے
نیند   کیوں   رات   بھر   نَہِیں   آتی
(Since) a day for our death is ordained
Why sleep doesn't come the whole night?
آگے   آتی   تھی   حالِ دِل   پہ   ہنسی
اب   کِسی   بات   پَر   نَہِیں   آتی
Earlier, this heart's condition (would have) elicited a smile
But now, no matter of it elicits anything
جانتا   ہوُں   صَوابِ طاعَت و زُہْد
پَر   طَبِیعَت   اِدھر   نَہِیں   آتی
I know the blessings of piety and devotion
but (such) disposition doesn't come this way
ہَم   وہاں   ہَیں   جہاں   سے   ہَم   کو   بھی
کُچھ   ہَماری   خبر   نَہِیں   آتی
I am at that place from which, not even to me
news come (can't know myself)
کَعْبَہ   کِس   مُنہ   سے   جاؤ گے   غالِب
شرم   تُم   کو   مگر   نَہِیں   آتی
With what face will you go to the Kaaba, Ghalib,
unless, you experience no shame?

About this song

Singers
Nusrat Fateh Ali Khan, Fariha Pervez, Farida Khanum
Lyrics
Ghalib

koii ummiid bar nahiiN aatii (Hindi: कोई उम्मीद बर नहीं आती, Urdu: کوئی اُمِّید بَر نہیں آتی) - "No hope comes to fruition" - is a profound ghazal by the great poet Mirza Ghalib (19th century) that explores existential despair with the linguistic mastery typical of Urdu poetry. Its structure revolves around the repetition of nahiiN aatii (does not come/arrive), a grammatical construction emphasizing absence: of hope (umeed), solace/sleep (neend), laughter/joy (hansi), and even (self-)awareness (khabar).

Musical renditions: Artists like Nusrat Fateh Ali Khan (in qawwali style), Farida Khanum (classical ghazal), and Fariha Pervez have interpreted it, notably:

Nusrat: Extended the "nahī̃ ātī" with Sufi melismas, transforming negation into spiritual ecstasy Farida: Gave verses an intimate, painful quality, especially in "Maut ka ek din..." (about death)

Poetic key: The final verse —"With what face will you go to the Kaaba, Ghalib?"— is an ironic self-reproach: the poet questions his own faith while confessing his rebellious nature.

The untranslatable nahiiN aatii makes this ghazal memorable - that negation which becomes hypnotic when sung. In renditions by female vocalists, some words are often modified to suit a feminine perspective.