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tere sadqe balam

tere sadqe balam
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tere   sadqe   balam
For your own sake, beloved!
tere   sadqe   balam   na   kar   koii   Gam
ye   samaaN   ye   jahaan   phir   kahaaN
 [ full stanza x2 ]
For your own sake, beloved, let no grief weigh you down!
When will this moment, this world, ever come again?
[full stanza x2]
din   haiN   suhaane   phir   kaun   jaane   aae   na   aae   bahaar
tuu   Gam   ko   pii   le   dam   bhar   ko   jii   le
duniyaa   kaa   kyaa   etbaar
ho   jii   piyaa   duniyaa   kaa   kyaa   etbaar
The days are lovely, but who knows if spring will return?
Suppress your sorrow, live each breath to the fullest,
What trust can we place in this world?
Oh, live, my love! What trust can we place in this world?
kaaNToN   meN   daaman   uljhe   na   saajan
phuuloN   meN   haNs   ke   guzaar
thoRii   haNsii   hai   thoRii   xushii   hai
dukh   zindagii   meN   hazaar
ho   jii   piyaa   dukh   zindagii   meN   hazaar
Let your robe not snag on thorns, O beloved,
Pass through the flowers, laughing.
A little laughter, a little joy,
(But) a thousand sorrows in life.
Oh, for your sake, love—a thousand sorrows in life!
naiyyaa   milan   kii   maujeN   pavan   kii
kɛhtii   haiN   mujh   ko   pukaar
gaataa   chalaa   chal   haNstaa   chalaa   chal
jiivan   kii   nadiyaa   ke   paar
ho   jii   piyaa   jiivan   kii   nadiyaa   ke   paar
The boat of (our) union, the waves of the wind,
Call out to me with their song.
Walk on, singing, laughing,
across the river of life.
Oh, for your sake, love — across the river of life!

About this song

Lyrics
Shakeel Badayuni
Music
Naushad
On screen
Madhubala, Dilip Kumar

tere sadqe balam (Hindi: तेरे सदक़े बलम, Urdu: تیرے صدقے بَلَم) "For your own sake, beloved" is a classic Bollywood song from the 1954 film Amar, with music by Naushad and lyrics by Shakeel Badayuni.

In the film's pivotal scene, Anju Roy (Madhubala), an educated upper-class woman, sings this to console his fiancé, the tormented lawyer Amarnath (Dilip Kumar) - unaware that his guilt stems from raping Soniya (Nimmi), a poor orphaned village girl. The song's poetic verses about "cheering up", "seizing the day", and "letting go of sorrow" become devastatingly ironic, contrasting with Amarnath's unconfessed crime.