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taajdaar-e-haram

taajdaar-e-haram
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taajdaar-e-Haram
King of the Sanctuary
qismat   meN   merii   chain   se   jiinaa   likh   de !
Duube   na   kabhii
meraa   safiinaa   likh   de !
jannat   bhii   gavaaraa   hai ,  magar   mere   lie
ai   kaatib-e-taqdiir   madiinaa   likh   de
Write in my kismet to have a peaceful life!
Write that
the boat/book of my life never sinks!
Paradise is also acceptable to me, but,
ho, Writer of Destinies, write Medina!
taajdaar-e-Haram   [ x2 ]
taajdaar-e-Haram
ho   nigaah-e-karam
 [ both lines x2 ]
ham   GariiboN   ke   din
bhii   saNvar   jaaeNge
Haamii-e-beksaaN
kyaa   kahegaa   jahaan
 [ both lines x2 ]
aapke   dar   se   xaalii
agar   jaaeNge ?
taajdaar-e-Haram   [ x2 ]
King of the Sanctuary
King of the Sanctuary,
oh, (give us) a look of mercy!
[both lines x2]
(So that) for us too,
the days as destitute ones will be rectified
Oh patron of the poor,
what will the world say
[both lines x2]
if we were to go empty (handed)
from your doorstep?
King of the Sanctuary! [x2]
koii   apnaa   nahiiN
Gam   ke   maare   haiN   ham
 [ both lines x2 ]
aapke   dar   pe   fariyaad
laae   haiN   ham
ho   nigaah-e-karam
varnaa   chaukhaT   pe   ham
aapkaa   naam   le   le   ke   mar   jaaeNge
taajdaar-e-Haram   [ x2 ]
We are stricken with grief,
(having) none of our own,
[both lines x2]
We have brought a petition for justice
upon your doorstep
Hey! A look of mercy!
Otherwise, on your door-frame,
we will die naming you
King of the Sanctuary! [x2]
kyaa   tum   se   kahuuN   arab   ke   kuNvar
tum   jaante   ho   man   kii   batiyaaN
daar-e-furqat   to
aae   ummii-laqab !
kaaTe   na   kaTe   haiN   ab   ratiyaaN .
torii   priit   meN   sudh   budh   sab   bisrii
kab   tak   rahegii   ye   bekahbrii .
gaahe   bafigan   duzdiidaah   nazar
kabhii   sun   bhii   to   lo   hamaarii   batiyaaN
What can I say about you, Prince of Arabia?
You know the talk of my heart
At the gallows of separation,
oh, you, Unlettered One, shall really come.
We have been passing the nights with difficulty.
In your affection, all memory is forgotten
for as long as this unawareness will remain.
Cast a furtive glance towards (us) sometime!
Just listen our words too, sometime!
aapke   dar   se   koii
na   xaalii   gayaa
 [ both lines x3 ]
apne   daaman   ko   bhar   ke   savaalii   gayaa   [ x2 ]
ho   Habiib-e-HaziiN  [ x2 ]
par   bhii   aaqaa   nazar
varnaa   auraaq-e-hastii
bikhar   jaaeNge
 [ both sentences x2 ]
taajdaar-e-Haram   [ x2 ]
No one ever returned
empty-handed from your door
[both lines x3]
the petitioner left having filled his lap [x2]
Ho! Upon the beloved of sadness (me),
Master, also a look!
Otherwise, the pages of my existence
will scatter
[both sentences x2]
King of the Sanctuary! [x2]
maiksho   aao   aao
madiine   chaleN   [ x4 ]
 [ both verses x2 ]
Come, come, wine-drinkers,
let's go to Medina! [x4]
[both verses x2]
aao   madiine   chaleN   [ x2 ]
isii   mahiine   chaleN !
aao   madiine   chaleN
 [ both sentences x2 ]
tajalliyoN   kii   ajab
hai   fizaa   madiine   meN   [ x2 ]
nigaah-e-shauq   kii
hai   iNtihaa   madiine   meN   [ x2 ]
Gam-e-Hayaat   na   xauf-e-qazaa
madiine   meN   [ x2 ]
namaaz-e-ishq   kareNge   adaa
madiine   meN   [ x2 ]
baraah-e-raast   hai   raah-e-xudaa   madiine   meN
Come, let's go to Medina! [x2]
Let's go this very month!
Come, let's go to Medina!
[both sentences x2]
The wonder of splendours
is in the air in Medina [x2]
The end of the ever-seeking gaze
is in Medina [x2]
Neither sorrow of life nor fear of death
in Medina [x2]
We will perform the prayer of love
in Medina [x2]
Clear and direct is the path to God in Medina
aao   madiine   chaleN   [ x2 ]
isii   mahiine   chaleN ,
aao   madiine   chaleN !
Come, let's go to Medina! [x2]
Let's go this very month,
Come, let's go to Medina!
maiksho   aao   aao
madiine   chaleN   [ x2 ]
دستِ ساقی ءِ کوثر   se
piine   chaleN   [ x2 ]
yaad   rakho   agar   [ x4 ]
uTh   gaii   ik   nazar
jitne   xaalii   haiN   sab   jaam
bhar   jaaeNge
 [ last 3 verses x2 ]
taajdaar-e-Haram   [ x2 ]
Come, come, wine-drinkers!,
let's go to Medina! [x2]
Let's go to drink
from the hand of the cup-bearer of Kausar [x2]
Keep in mind that if [x4]
(just) one look (suddenly) happens
As many wine-cups as are empty,
all will be filled!
[last 3 sentences x2]
King of the Sanctuary! [x2]
khauf-e-tuufaan   hai
bijliyoN   kaa   hai   Dar   [ x2 ]
saxt   mushkil   hai   aaqaa
kidhar   jaaeN   ham ?  [ x2 ]
aap   hii   gar   na   leNge   hamaarii   xabar
ham ,  musiibat   ke   maare ,  kidhar   jaaeNge
 [ both verses x2 ]
taajdaar-e-Haram   [ x2 ]
There is fear of the storm,
and dread of lightning [x2]
Our difficulty is severe, master,
to where should we turn? [x2]
If you didn't, indeed, take notice of us
where will we, stricken by calamity, go?
[both verses x2]
King of the Sanctuary! [x2]
yaa   mustafaa ,
yaa   mujtabaa
 [ both verses x2 ]
irHam   lanaa   [ x2 ]
dast-e-hamah-bechaaraa-raa
daamaan-tuu-ii   [ x2 ]
man-asiyam
man-ajizam
man-bekasam
Haal-e-maraa
pursaan-tuu-ii   [ x4 ]
Oh Mustafa (the chosen one),
Oh Mujtaba (the selected one)
[both verses x2]
show us mercy [x2]
For the hands of all the helpless ones
you are the lap [x2]
I am a sinner
I am feeble
I am alone
Inquire [x4] (on Judgment Day)
about my condition!
ai   mushk-bed   ambar   fishaaN
paik-e-nasiim-e-subaH-dam
ai   chaarahgar-iisaa-nafas !
ai   muunas-e-biimaar-e-Gam !
ai   qaasid-e-pharxandaa-paa !
tujhko   usii   gul   kii   qasam
Oh musk-willow spraying fragrance,
sweet breeze of the early morning
Oh Healer with the Breath of Jesus!
Oh, Consoler of the Afflicted with Grief!
Oh Messenger of the Auspicious Feet!
I swear to you, (by) that same flower
in   naltii   yaa   riiH-a-sabaa
yaauumaaN   ilaa   arz-al-Haram
balliG   salaamii   rauztaaN
fiihaa   annabii   al-muHtaram
Oh, morning breeze, if you reach
that sacred land someday,
convey my greetings to the grave
where the revered prophet (rests).
taajdaar-e-Haram
ho   nigaah-e-karam
 [ both lines x2 ]
ham   GariiboN   ke   din   bhii
saNvar   jaaeNge
Haamii-e-beksaaN
kyaa   kahegaa   jahaan   [ x2 ]
aapke   dar   se   xaalii
agar   jaaeNge ?
taajdaar-e-Haram   [ x3 ]
King of the Sanctuary,
oh, (give us) a look of mercy!
[both lines x2]
(So that) for us too,
the days as destitute ones will be rectified
Oh patron of the poor,
what will the world say [x2]
If we were to go
empty (handed) from your doorstep?
King of the Sanctuary! [x3]

About this song

Singer
Atif Aslam
Lyrics
Purnam Allahabadi
Show
Coke Studio (2015)

taajdaar-e-haram (Hindi: ताजदार-ए-हरम, Urdu: تاجدارِ~حرم) "King of the Sanctuary" is a famous song written by the Indo-Pakistani poet Purnam Allahabadi (his real name was Mohammed Musa). It was performed by the Pakistani Singer Atif Aslam in 2015 during season 8 of the TV musical series "Coke Studio Pakistan"

The Coke Studio version was abridged and arranged, to make it appealing to a wider audience.

The title of this song is the phrase taajdaar-e-haram which is in fact 2 words, taajdaar and haram, joined by the nexus -e- in a characteristically Urdu way of joining words known as "izafat", in this case, it indicates possession or relation.

taajdaar means "king", or, more precisely "crowned one", and haram means a sacred or forbidden place (that is where the word "harem" comes from); but in this case, it means "sanctuary".

Therefore, the phrase taajdaar-e-haram can be translated as "King of the (Holy) Sanctuary" or "Crowned one of the Sacred/Forbidden Place".

The king in question is the Prophet Muhammad, and the sanctuary is most likely the Kaaba, the structure within the Great Mosque of Mecca that is considered the holiest place in Islam.

Muslims are required to perform a pilgrimage to Mecca at least once in their lifetime. This song, however, doesn't refer to a pilgrimage to Mecca but to Medina, the second holiest city in Islam.

The song's lyrics represent the plea of a Muslim pilgrim towards the Prophet Muhammad, to achieve divine grace when travelling to Medina.

The style of the song is a typical South Asian musical composition form called "qawwali". And more specifically, it is a "naat", a type of qawwali that mainly consists of praises to the Prophet Muhammad.

The Prophet Muhammad is called with the following epithets:

taajdaar-e-haram: already explained, King or the Sanctuary kaatib-e-taqdiir: Writer of Destinies haamii-e-beksaaN: Patron of the Poor arab ke kuNvar: Prince of Arabia ummii-laqab: He Who is Called the Unlettered One. This is because Muhammad is believed to have been illiterate before the Quran was revealed to him, and then he is believed to have acquired the ability to read suddenly and miraculously aaqaa: master, Lord dast-e-saaqii-e-kausar: The Cup-Bearer of Kausar. Kausar is a fountain, or body of liquid, believed to be located in the Muslim paradise. The liquid is most likely wine (although, strictly speaking, drinking alcohol is forbidden to observant Muslims) mustafaa: The Chosen One (it is also a common given name) mujtabaa: The Selected One mushk-bed: Musk Willow, an aromatic shrub believed to have healing properties paik-e-nasiim-e-subah dam: Messenger of the Early Morning Breeze chaarahgar iisaa nafas: Healer with the Breath of Jesus muunas-e-biimaar-e-Gam: Companion (or Consoler) of the Afflicted with Grief qaasid-e-pharxandaa paa: Messenger of the Auspicious Feet annabii almuhatram: The Revered Prophet

Many of these epithets are not exactly Hindustani, but words with strong Persian, Arabic, or dialectal Urdu influence.

This song was originally popularized by a Pakistani Sufi qawwali band called "The Sabri Brothers". The band was formed in 1956 around its two original and most prominent members, the brothers Ghulam Farid Sabri and Maqbool Ahmed Sabri, and it has remained enormously famous and active until the present day.