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kajraa re

kajraa re
Touch on each word to display its meaning
kajraa   re
Kohl
aisii   nazar   se   dekhaa   us   zaalim   ne   chauk   par
ham   ne   kalejaa   rakh   diyaa   chaaquu   kii   nok   par
bavaal   ho   gayaa  …
raaytaa   phail   gayaa  …
At the chowk, the cruel one stared at me with such a look
that I kept my spirit at knifepoint
It has become a commotion! …
It made a mess! …
meraa   chain   vain   sab   ujRaa
zaalim   nazar   haTaa   le
 [ both lines x2 ]
barbaad   ho   rahe   haiN   jii   [ x2 ]
tere   apne   shɛhɛr   vaale
meraa   chain   vain   sab   ujRaa
zaalim   nazar   haTaa   le
barbaad   ho   rahe   haiN   jii
tere   apne   shɛhɛr   vaale
ho ,
merii   angRaaii   na   TuuTe   tuu   aa   jaa   [ x2 ]
I lost all peace and such
Cruel one, avert your look!
[both lines x2]
They are getting ruined, yes [x2]
your own fellow city dwellers
I lost all peace and such
Oh, cruel one, remove your eyes (from me)
They are getting ruined
the people from your own city
Oh,
My arm-stretching doesn't stop, come! [x2]
kajraa   re   kajraa   re   tere   kaare   kaare   nainaa   [ x2 ]
ho
kajraa   re   kajraa   re   tere   kaare   kaare   nainaa   [ x2 ]
ho   mere   nainaa   mere   nainaa   mere   nainaa   juRvaaN   nainaa
ho   kajraa   re   kajraa   re   tere   kaare   kaare   nainaa
Your kohl (lined) black eyes [x2]
Oh!
Your kohl (lined) black eyes [x2]
My eyes, my eyes, my twin eyes
Your kohl (lined) black, black eyes
surme   likhe   tere   vaade
aaNkhoN   kii   zabaanii   aate   haiN
mere   ruumaaloN   pe   lab   tere
baaNdh   ke   nishaanii   jaate   haiN
Your promises, written in eyes' surma,
come orally (only, not in written).
On my handkerchiefs, your lips
leave the fetters of a mark
ho   terii   baatoN   meN   qimaam   kii   xushbuu   haiN
ho   teraa   aanaa   bhii   garmiyaaN   kii   luu   haiN
 [ both lines x2 ]
In your talk is the fragrance of kimam
Oh, your coming is also hot wind of summer
[both lines x2]
aa   jaa   TuuTe   na   TuuTe   na   angRaaii
ho
merii   angRaaii   na   TuuTe   tuu   aa   jaa   [ x2 ]
Come, it doesn't stop, doesn't stop, my arm-stretching
Oh!
My arm-stretching doesn't stop, come! [x2]
kajraa   re  …
kajraa   re   kajraa   re   tere   kaare   kaare   nainaa   [ x4 ]
ho   mere   nainaa ,  mere   nainaa ,  mere   nainoN   meN   chupke   rɛhnaa
ho   kajraa   re   kajraa   re   tere   kaare   kaare   nainaa
Kohl …
Your kohl, kohl black eyes [x4]
My eyes, my eyes, stay hidden in my eyes
Your kohl, kohl black eyes
aaNkheN   bhii   kamaal   kartii   haiN
 [ Personal ]  se   savaal   kartii   haiN
palkoN   ko   uThtii   bhii   nahiiN   huuN
parde   kaa   xayaal   kartii   haiN
Eyes also do wonders
They ask sort-of-personal questions
They don't even raise the eyelashes
They observe views of modesty (purdah)
ho   meraa   Gam   to   kisii   se   bhii   chhuptaa   nahiiN
dard   hotaa   hai   jab   chubhtaa   nahiiN
 [ both lines x2 ]
Oh, my sorrow is not hidden from anyone at all
the pain remains, even when it is not hurting
[both lines x2]
aa   jaa ,  TuuTe   na   TuuTe   na   angRaaii
ho
merii   angRaaii   na   TuuTe   tuu   aa   jaa   [ x2 ]
Come, it doesn't stop, doesn't stop, my arm-stretching
Oh!
My arm-stretching doesn't stop, come! [x2]
kajraa   re  …
kajraa   re   kajraa   re   tere   kaare   kaare   nainaa   [ x4 ]
ho   tere   nainaa ,  tere   nainaa ,  hameN   Daste   hai   tere   nainaa
ho
kajraa   re   kajraa   re   tere   kaare   kaare   nainaa
Kohl …
Your kohl, kohl black eyes [x4]
Your eyes, your eyes, your eyes bite us
Oh
My kohl, kohl black eyes
ho   tujh   se   milnaa   puraanii   dillii   meN
chhoR   aaeN   nishaanii   dillii   meN
balliimaaraan   se   dariibe   talak
terii   merii   kahaanii   dillii   meN
Oh, to find you in Old Delhi!
I left my mark in Delhi
from Ballimaran up to Dariba
Your story and mine is in Delhi
ho   kaalii   kamlii-vaale ,  ho   yaad   kar   ke
tere   kaale   kaale   nainoN   kii   qasam   khaate   haiN
tere   kaale   kaale   nainoN   kii   balaaeN   le   luuN
tere   kaale   kaale   nainoN   ko   duaaeN   de   duuN
Oh, having remembered your lotus-like ones
I swear by your black, black eyes
I shall take the afflictions of your black, black eyes
I shall pray for your black, black eyes
merii   jaan   udaas   haiN   hoThoN   pe   pyaas   haiN
aa   jaa   re   aa   jaa   re   aa   jaa   re
ho   terii   baatoN   meN   qimaam   kii   xushbuu   haiN
ho   teraa   aanaa   bhii   garmiyoN   kii   luu   hai
 [ both lines x 2 ]
My life is sad, there is thirst on (my) lips
Come, come, come
In your talk is the fragrance of kimam
Oh, your coming is also a hot wind of summer
[both lines x 2]
ho
merii   angRaaii   na   TuuTe   tuu   aa   jaa   [ x2 ]
Oh!
My arm-stretching doesn't stop, come! [x2]
kajraa   re  …
kajraa   re   kajraa   re   tere   kaare   kaare   nainaa   [ x2 ]
ho   tere   nainaa   tere   nainaa   tere   nainaa   juRvaaN   nainaa   [ x2 ]
ho   tere   nainaa ,  tere   nainaa ,  tere   nainoN   meN   chupke   rɛhnaa
ho   kajraa   re   kajraa   re   tere   kaare   kaare   nainaa   [ x2 ]
kaare   kaare  …  [ x3 ]
kajraa   re ,  kajraa   re  …  [ giggles ]
haae ,  haae ,  haae ,  kyaa   chal   hai   terii !
 [ Madam , I am your only Adam ]
Kohl …
Your kohl, kohl black eyes [x2]
Oh, your eyes, your eyes, your twin eyes [x2]
Oh, your eyes, I must stay hidden in your eyes!
Your kohl lined black eyes [x2]
black, black … [x3]
(with) kohl, oh, with kohl [giggles]
Ah, ah, ah, what a gait you have!
[Madam, I am your only Adam]

About this song

Singers
Javed Ali, Alisha Chinai
Lyrics
Gulzar
Music
S-E-L, Shankar Mahadevan
On screen
Aishwarya Rai, Abishek Bachchan, Amitabh Bachchan

kajraa re (Hindi: कजरा रे, Urdu: کجرا رے) "Kohl", is a song from the Hindi 2005 comedy film "Bunty Aur Babli".

The song refers to a woman trying to attract the attention of a man, after having been struck by his gaze. Later, a male singer reminisces about their love experiences in Old Delhi.

The song mentions 2 traditional streets in Old Delhi's commercial neighborhood of Chadni Chowk: Ballimaran Road and Dariba Kalan, which date back to at least the Mughal Era. In particular, the celebrated Urdu poet Mirza Ghalib lived in Ballimaran, and nowadays his "haveli" or residence has been turned into a museum.

The phrase "kali kamli-wale" means "black, lotus-like", and it is also the title of a folk religious Hindu song praising Lord Krishna's eyes.

In the video clip, 3 actors join the singing and dancing happening at a dance bar:

Aishwarya Rai playing a bar dancer Abhishek Bachchan playing Rakesh or "Bunty", a con artist sought by the police Amitabh Bachchan, playing the police Inspector Dashrath Singh, who is investigating Rakesh's cons

In the movie, the song starts playing after Inspector Singh was telling Abhishek about his own Old Delhi's love stories, in order to gain his confidence. The bar dancer starts wooing Inspector Singh and she is in turn courted by Abhishek, and they all join the singing and dancing.

In real life, Abhishek Bachchan is Amitabh's son, and in 2007 he became Aishwarya's husband.

This was an "item song" because Aishwarya Rai has no further relevance in the movies plot. It was hailed as "the best item song of the decade" and won numerous awards.

The song's music was composed by the trio SEL (Shankar Mahadevan, Ehsaan Noorani, and Loy Mendonsa) and it was written by the Indo-Pakistani poet and lyricist Gulzar (Sampooran Singh Kalra).

The singers were Alisha Chinai for the female parts, and again Shankar Mahadevan with Javed Ali for the masculine parts.