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jaag musaafir

jaag musaafir
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jaag   musaafir
Rise, traveller!
jaag   re  …
saajan   sukaare   jaaeNge   aur   nain   mere   ge   ro  …
Rise, oh …
My beloved walks joyous, and my eyes have cried …
aah    bidhnaa  …
aisii   rain   karo   jaa   ki   bhor   kabhuu   na   ho  …
Oh, Creator …
Make such a night that morning doesn't happen …
uTh   jaag   musaafir ,
bhor   bhaii
ab   rain   kahaaN   jo   sovat   hai
Rise up, traveller,
it's daybreak!
Where is the night now, that you are still sleeping?
aah  …
laRakpan   khel   meN   khoyaa
javaanii   niind   bhar   soyaa
buRhaapaa   dekh   royaa
Ah!
(I) lost childhood in play,
slept the whole youth (in) dream,
(and) seeing old age, wept
uTh   jaag   musaafir ,
bhor   bhaii
ab   rain   kahaaN   jo   sovat   hai
Rise up, traveller,
it's daybreak!
Where is the night now, that you are still sleeping?
he ,  uTh   jaag   re  …
ab   rain   kahaaN   jo   sovat   hai
jo   sovat   hai ,  so   khovat   hai
jo   jagat   hai ,  so   paavat   hai
Hey, rise up!
Where is the night, that you are still sleeping?
He who is sleeping, is losing
He who is rising, is achieving
uTh   jaag   musaafir ,  bhor   bhaii
ab   rain   kahaaN   jo   sovat   hai
uTh   jaag   musaafir  …
jaag   re  …
jaag  …
Rise up, traveller, it's daybreak!
Where is the night now, that you are still sleeping?
Rise up, traveller, …
Oh, rise …
Rise …

About this song

Singers
Farid Ayaz & Brothers, Abu Muhammad
Music
Rohail Hyat

jaag musaafir (Hindi: जाग मुसाफ़िर, Urdu: جاگ مُسافِر) —"Awaken, Traveler"— is a traditional qawwali piece composed by Rohail Hyatt and performed by the legendary ensemble Farid Ayaz & Brothers.

The lyrics are written in Braj Bhasha, a language of Northern India similar to modern Hindustani.

Musically, it blends:

Melodic frameworks of Raga Bhairavi and Desh (featuring microtonal phrases) Rhythmic patterns like the tihai (a phrase repeated thrice) in 14-beat cycles (deepchandi taal)

Rohail Hyatt’s contemporary arrangement:

Layers an electric bassline that converses with the tabla (traditional hand drums) Employs strategic silences and syncopated claps for dramatic tension

Farid Ayaz delivers deep dhrupad-style vocals, while Abu Muhammad:

Counters with soaring taans (melodic flourishes) using sargam (Indian solfège: Sa-Re-Ga-Ma) Executes complex clap patterns in 6/8 (dadra taal)

This Braj Bhasha gem is a Sufi call to spiritual awakening, where Abu Muhammad’s raspy voice embodies the seeker’s longing. The theme of missing the Beloved's arrival by remaining asleep is an archetype in Hindustani poetry. In Sufism, this admonition is intensified: falling asleep not only means missing the encounter with love, but also thwarting one's own spiritual evolution.