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hai bas-ki har ik un ke ishaare

hai bas-ki har ik un ke ishaare
Touch on each word to display its meaning
hai   bas-ki   har   ik   un   ke   ishaare
As in Every Single Gesture of Hers
 [ mixed with movie dialog ]
hai   bas-ki   har   ik   un   ke   ishaare   meN   nishaan   aur
karte   haiN   moHabbatt   to   guzrtaa   hai   gumaan   aur
[mixed with movie dialog]
As in every single gesture of hers, there are more signals
if she expresses love, then more suspicion occurs
yaa   rab   vo   na   samjhe   haiN   na   samjheNge   mirii   baat   [ x2 ]
de   aur   dil   un   ko   jo   na   de   mujh   ko   zabaan   aur   [ x2 ]
Oh God! She has neither understood my words, nor she will [x2]
give her another heart, if you wouldn't give me another language! [x2]
tum   shɛhɛr   meN   ho   to   hameN   kyaa   Gam   jab   uTheNge   [ x2 ]
le   aaeNge   baazaar   se   jaa   kar   dil-o-jaan   aur   [ x2 ]
 [ mixed with movie dialog ]
As long as you are in town, then, when my sorrow arises [x2]
I will ultimately bring from the bazaar another heart-and-soul [x2]
[mixed with movie dialog]
haiN   aur   bhii   duniyaa   meN   suxan-var   bahut   achchhe   [ x2 ]
kɛhte   haiN   ki   Gaalib   kaa   hai   aNdaaz-e-bayaan   aur   [ x2 ]
 [ the full stanza is repeated ]
 [ mixed with movie dialog ]
Even (though) there are in the world many other good versifiers
they say that Ghalib's is a different narration style
[the full stanza is repeated]
[mixed with movie dialog]

About this song

Singer
Mohammed Rafi
Lyrics
Ghalib
Music
Ghulam Mohammed
On screen
Bharat Bhushan

hai bas-ki har ik un ke ishaare (Hindi: है बस-कि हर इक उन के इशारे, Urdu: ہے بَسْکہِ ہر اِک اُن کے اِشارے), "As Ever Single Gesture of Hers ... " are the opening words of a famous ghazal by the Urdu poet Ghalib.

Some couplets of this ghazal were musicalized by Ghulam Mohammed and used in a scene of the biographical 1954 Bollywood movie "Mirza Ghalib".

In the scene, the poet (interpreted by Bharat Bhushan) meets a blind beggar in the street, who is singing this poem of his recent creation.

When asked by Ghalib where he had learned it, the beggar answers that he got it from Moti Begum, Ghalib's most recent female admirer, who by then had adopted the nickname of "Chaudhvin" (Moon Faced) given by the poet to her.

The playback singer was Mohammed Rafi.