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chal die bandaa navaaz

chal die bandaa navaaz
Touch on each word to display its meaning
chal   diye   bandaa   navaaz
The Beneficent One Leaves
chal   diye   bandaa   navaaz
chheR   kar   mere   dil   kaa   taar
 [ both lines x2 ]
ham   taraste   hii   rahe
jalve   barste   hii   rahe
The beneficent one leaves
having stirred the string of my heart
[both lines x2]
I stayed only pining,
nothing but (her) raining splendor stayed
sunie   misTar   chaalbaaz
baniye   na   baRe   tiir   aNdaaz
 [ both lines x2 ]
or   koii   ghar   dekhie
dil   ko   yahaaN   mat   pheNkiye
sunie   misTar   chaalbaaz
baniye   na   baRe   tiir   aNdaaz
Listen, Mr. Bamboozler,
don't try so much to be an archer!
[both lines x2]
Look for home somewhere else,
don't throw your heart over here!
Listen, Mr. Bamboozler,
don't try so much to be an archer!
hai   mujh   pe   tuu   ban   ke   dard-e-jigar
dil   meN   khaTktii   hai   terii   nazar
 [ both lines x2 ]
bas   bas   tumhiiN   se   sune   aise   naaz
kar   Daalaa   ulfat   kaa   xaanaa-xaraab
 [ both lines x2 ]
maan   jaa   aae   saNg-dil
dil   se   mil   le   meraa   dil
You are on me, became an innermost pain,
your gaze nibbles my heart
[both lines x2]
Enough, enough, I heard such blandishments only from you,
you caused the ruin of affection!
[both lines x2]
Come on, consent, you stone-hearted,
join my heart with (your) heart!
sunie   misTar   chaalbaaz
baniye   na   baRe   tiir   aNdaaz
 [ both lines x2 ]
or   koii   ghar   dekhie
dil   ko   yahaaN   mat   pheNkiye
sunie   misTar   chaalbaaz
baniye   na   baRe   tiir   aNdaaz
Listen, Mr. Bamboozler,
don't try so much to be an archer!
[both lines x2]
Look for another home,
don't throw your heart over here!
Listen, Mr. Bamboozler,
don't try so much to be an archer!
daaman   se   khiiNcho   zaraa   haath   ko
samjho   zaraa   apnii   auqaat   ko
 [ both lines x2 ]
auqaat   merii   na   puuchhe   Huzuur
huuN   aapkaa   mujhko   ye   hai   Guruur
 [ both lines x2 ]
yuuN   na   rishtaa   joRiye
meraa   daaman   chhoRie
Pull your hand off my daman,
please consider your station (in life)!
[both lines x2]
Don't you ask my station, Majesty,
I am yours; to me, this is my pride!
[both lines x2]
Don't cement like this a relationship!
Let go of my daman!
chal   diye   bandaa   navaaz
chheR   kar   mere   dil   kaa   taar
 [ both lines x2 ]
ham   taraste   hii   rahe
jalve   barste   hii   rahe
par !
chal   diye   bandaa   navaaz
chheR   kar   mere   dil   kaa   taar
The beneficent one leaves
having stirred the string of my heart
[both lines x2]
I stayed only pining,
nothing but (her) raining splendor stayed
But!
The beneficent one leaves
having stirred the string of my heart
maanaa   ki   bigRe   haiN   mere   nasiib
ulfat   na   samjhe   aamir-o-Gariib
 [ both lines x2 ]
chhoRo   ye   ulfat   kii   baariikiyaaN
rastaa   lo   jangal   kaa   majnuuN   miyaaN
 [ both lines x2 ]
chhoR   kar   ab   teraa   dar
jaae   ye   diivaanaa   kidhar
Granted, my fortunes are spoiled
but love doesn't understand (about) rich and poor
[both lines x2]
Drop these subtleties about affection!
Take the road of the jungle, Sir Majnun!
[both lines x2]
Having left your doorstep,
where would this (crazed) lover go?
sunie   misTar   chaalbaaz
baniye   na   baRe   tiir   aNdaaz
 [ both lines x2 ]
or   koii   ghar   dekhie
dil   ko   yahaaN   mat   pheNkiye
sunie   misTar   chaalbaaz
baniye   na   baRe   tiir   aNdaaz
Listen, Mr. Bamboozler,
don't try so much to be an archer!
[both lines x2]
Look for home somewhere else,
don't throw your heart over here!
Listen, Mr. Bamboozler,
don't try so much to be an archer!
chal   diye   bandaa   navaaz
chheR   kar   mere   dil   kaa   taar
 [ both lines x2 ]
ham   taraste   hii   rahe
jalve   barste   hii   rahe
par !
chal   diye   bandaa   navaaz
chheR   kar   mere   dil   kaa   taar
The beneficent one leaves
having stirred the string of my heart
[both lines x2]
I stayed only pining,
nothing but (her) raining splendor stayed
But!
The beneficent one leaves
having stirred the string of my heart

About this song

Singers
Mohammed Rafi, Geeta Dutt
Lyrics
Majrooh Sultanpuri
Music
O.P. Nayyar
On screen
Guru Dutt, Madhubala
Film
Mr. and Mrs. '55 (1955)

chal die baNdaa navaaz (Hindi: चल दिए बंदा नवाज़, Urdu: چل دیئے بندہ نواز) "The Beneficient One Leaves" is a song from the 1955 Indian film "Mr. and Mrs. '55".

The song's lyrics were written by the Urdu poet and Bollywood lyricist Majrooh Sultanpuri, and the music was composed by the Indian music director and composer O.P.Nayyar.

Both very famous Bollywood contributors, they also authored all the other songs in the movie soundtrack.

The song describes a man pledging his love to a woman, and how she rejects his advances.

In the movie and video clip, the song is played when the main male character, Pritam (interpreted by the actor and director Guru Dutt), declares to Anita, a rich heiress played by the Indian actress Madhubala.

At that moment they are married by convenience, so that Anita could inherit, but Pritam wants the relationship to be true. So he takes her to a riverbank where some washers are beating clothes, and then the song takes place when he starts pleading his love.

She rejects him in amusing ways:

he calls him misTar chaalbaaz, which could be translated as "Mr. Bamboozler" or "Mr. Trickster" he warns him not to become a tiir aNdaaz, meaning an archer or "arrow-shooter" because of his "throwing his heart" at her. tiir aNdaaz is also a common way to refer to someone who achieves goals through skill he tells him to mind his auqaat (status, station in life) because at the time he is just a struggling cartoonist while she is a rich heiress he tells him to "let go of her daaman". "Daman" is a word with rich meanings in Hindustani. Essentially, it is a piece of cloth (and indeed, in the movie, he is holding her headscarf). But a daman is also a skirt or, more properly, the lap, or hem, or lower part of a dress or tunic, such of those worn in olden times. A beggar or solicitor would tug at the lord's daman, in order to call his attention. And then he would fill his own daman, using it as a bag or pocket for whatever alms he received. Idiomatically then, "let go of my daman" means "leave me alone, go away, stop pestering or petitioning" She calls him Sir Manjun (majnuuN miyaaN), who is the male character of a tragic Arabic love story, "Laila and Manjun", also well-known in Persia and in the Indian subcontinent. So this would be equivalent to "Mr. Romeo". She advises him to "take the road of the jungle". This can refer again to Manjun, who, love-crazed, goes to live in the jungle in the "Laila and Manjun" story, or it might simply refer to the Hindu tradition of giving up passions and going to the jungle to meditate in the later stages of life.

As for Pritam:

he constantly calls her, somewhat sarcastically, baNdaa navaaz, an adjectival phrase also used in the song's title, which literally means "comforter of the servant", but can also mean simply "beneficient" or "the beneficient one" (a title also applied to some Muslim saints). he says that "she stirs the string or his heart", a common analogy between the heart and a musical instrument, specifically an iktar or iktara (some sort of single-stringed folk violin) when reminded to mind his lower status, he calls her huzuur a gender-neutral appellation meaning Your Higness, Excellency he calls her saNg-dil which means stone-hearted, hard-hearted

The playback singers are the enormously famous Bollywood singers Mohammed Rafi for the male parts, and Geeta Dutt for the female parts. Geeta Dutt was also the wife of Guru Dutt, the movie protagonist and director.