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जाग मुसाफ़िर

jaag musaafir
jaag musaafir
Touch on each word to display its meaning
जाग   मुसाफ़िर
Rise, traveller!
जाग   रे  …
साजन   सुकारे   जाएँगे   और   नैन   मेरे   गे   रो  …
Rise, oh …
My beloved walks joyous, and my eyes have cried …
आह    बिधना  …
ऐसी   रैन   करो   जा   कि   भोर   कभू   न   हो  …
Oh, Creator …
Make such a night that morning doesn't happen …
उठ   जाग   मुसाफ़िर ,
भोर   भई
अब   रैन   कहाँ   जो   सोवत   है
Rise up, traveller,
it's daybreak!
Where is the night now, that you are still sleeping?
आह  …
लड़कपन   खेल   में   खोया
जवानी   नींद   भर   सोया
बुढ़ापा   देख   रोया
Ah!
(I) lost childhood in play,
slept the whole youth (in) dream,
(and) seeing old age, wept
उठ   जाग   मुसाफ़िर ,
भोर   भई
अब   रैन   कहाँ   जो   सोवत   है
Rise up, traveller,
it's daybreak!
Where is the night now, that you are still sleeping?
हे ,  उठ   जाग   रे  …
अब   रैन   कहाँ   जो   सोवत   है
जो   सोवत   है ,  सो   खोवत   है
जो   जगत   है ,  सो   पावत   है
Hey, rise up!
Where is the night, that you are still sleeping?
He who is sleeping, is losing
He who is rising, is achieving
उठ   जाग   मुसाफ़िर ,  भोर   भई
अब   रैन   कहाँ   जो   सोवत   है
उठ   जाग   मुसाफ़िर  …
जाग   रे  …
जाग  …
Rise up, traveller, it's daybreak!
Where is the night now, that you are still sleeping?
Rise up, traveller, …
Oh, rise …
Rise …

About this song

Singers
Farid Ayaz & Brothers, Abu Muhammad
Music
Rohail Hyat

jaag musaafir (Hindi: जाग मुसाफ़िर, Urdu: جاگ مُسافِر) —"Awaken, Traveler"— is a traditional qawwali piece composed by Rohail Hyatt and performed by the legendary ensemble Farid Ayaz & Brothers.

The lyrics are written in Braj Bhasha, a language of Northern India similar to modern Hindustani.

Musically, it blends:

Melodic frameworks of Raga Bhairavi and Desh (featuring microtonal phrases) Rhythmic patterns like the tihai (a phrase repeated thrice) in 14-beat cycles (deepchandi taal)

Rohail Hyatt’s contemporary arrangement:

Layers an electric bassline that converses with the tabla (traditional hand drums) Employs strategic silences and syncopated claps for dramatic tension

Farid Ayaz delivers deep dhrupad-style vocals, while Abu Muhammad:

Counters with soaring taans (melodic flourishes) using sargam (Indian solfège: Sa-Re-Ga-Ma) Executes complex clap patterns in 6/8 (dadra taal)

This Braj Bhasha gem is a Sufi call to spiritual awakening, where Abu Muhammad’s raspy voice embodies the seeker’s longing. The theme of missing the Beloved's arrival by remaining asleep is an archetype in Hindustani poetry. In Sufism, this admonition is intensified: falling asleep not only means missing the encounter with love, but also thwarting one's own spiritual evolution.